E.A.T.–Experiments in Art and Technology

As international premiere the Museum der Moderne Salzburg presented a comprehensive retrospective of the ground breaking projects by E.A.T. – Experiments in Art and Technology, a loosely and unique associated group of artists and engineers, who made history in the 1960s and 1970s. Artists like Robert Rauschenberg (1925–2008) and Robert Whitman (born 1935) teamed up with Billy Klüver (1927–2004), a visionary engineer at Bell Telephone Laboratories, and his colleague Fred Waldhauer (1927–1993) to launch a groundbreaking initiative that would realize works of art in unprecedented collaborative ventures.

In light of the rapid technological developments of the period, the group aimed to put an art into practice that would employ cutting-edge technology. Starting in the early 1960s, Klüver worked with artists including Jean Tinguely, Andy Warhol, Jasper Johns, and Yvonne Rainer. Like some artists of his time, he was interested in the social implications of novel technologies and believed that the marriage of art and science had to take place on a practical and physical level. The meeting between artists and engineers, the members of E.A.T. hoped, would produce works that would not have been possible without the special expertise of trained technologists. The art would conversely also inspire the engineers to think in new directions and help shape the future evolution of technology.

An extensive survey of E.A.T.’s output has long been overdue; in addition to numerous works of art, the chronologically structured exhibition also presented a wealth of previously unpublished archival materials. After smaller shows that have highlighted well-known key events in the history of E.A.T., it offered the first in depth consideration of the full spectrum of the group’s activities and the multitude and broad variety of E.A.T.’s projects.

Projects by Artists and Bell-Labs-Engineers
Per Biorn, Robert Breer, John Cage, Lucinda Childs, Cecil H. Coker, Composers Inside Electronics, Pete Cumminski, Merce Cunningham, Jean Dupuy, Öyvind Fahlström, Ralph Flynn, Hans Haacke, Leon Harmon, Alex Hay, Deborah Hay, Larry Heilos, Peter Hirsch, Harold Hodges, Robert V. Kieronski, Billy Klüver, Ken Knowlton, Tony Martin, Jim McGee, Forrest Myers, Fujiko Nakaya, Steve Paxton, John Pearce, Yvonne Rainer, Robert Rauschenberg, Robbie Robinson, Alfons Schilling, Herb Schneider, Jean Tinguely, David Tudor, Fred Waldhauer, Andy Warhol, Robert Whitman, Witt Wittnebert, Dick Wolff, Niels & Lucy Young.

Photo © Werner Kaligofsky, Bildrecht Wien 2024

25 July–1 November 2015
Museum der Moderne Salzburg
Mönchsberg, levels 3 & 4
Salzburg, AT

Exhibition concept and project director
Sabine Breitwieser, Director, Museum der Moderne Salzburg
Advisory board
Julie Martin, Michelle Kuo, Catherine Morris
Guest curator
Kathy Battista, New York
Curatorial assistant: Christina Penetsdorfer, Museum der Moderne Salzburg

Exhibition architecture
Wilfried Kuehn, Samuel Korn, Kuehn Malvezzi (Berlin/Milano)

The Story of E.A.T. Symposium 25–26 July 2015
with the participation of the a.m. experts
Rainforest I (1968) and Microphone (1970) by David Tudor performed by Phil Edelstein and John Driscoll, Composers Inside Electronics

Exhibition catalogue
Edited by Sabine Breitwieser for the Museum der Moderne Salzburg
Salzburg, 2015
E.A.T. – Experiments in Art and Technology
Introduction and texts by Sabine Breitwieser, Kathy Battista, Simone Forti, Billy Klüver, Michelle Kuo, Julie Martin, Catherine Morris, Zabet Patterson, John Tain, and Robert Whitman
Designed by Martha Stutteregger
28 × 24 cm, 339 pages, numerous illustrations
Softcover, German/English
Cologne, Buchhandlung Walther König, 2015
ISBN 978-3-8633-5783-2

Links
www.museumdermoderne.at